A necklace'made from the tooth of a megalodon shark' is revealed in new images from the wreckage of RMS Titanic. The stunning artefact – which has not been worn since the ship's sinking in April 1912 – was identified in footage taken last summer by Guernsey-based firm Magellan Ltd. The footage was shot during efforts to capture the first digital scans of the shipwreck, which present the wreck almost as if it's been retrieved from the water. Other objects surrounding the necklace have not been identified, although it appears to be surrounded by small ring-shaped beads. Magellan Ltd, which is working with Atlantic Productions on a documentary about last year's expedition, is prohibited from taking them from the sea floor, however.

In the first thirty seconds of the director and artist Paul Trillo's short film "Thank You for Not Answering," a woman gazes out the window of a subway car that appears to have sunk underwater. A man appears in the window swimming toward the car, his body materializing from the darkness and swirling water. It's a frightening, claustrophobic, violent scene--one that could have taken hundreds of thousands of dollars of props and special effects to shoot, but Trillo generated it in a matter of minutes using an experimental tool kit made by an artificial-intelligence company called Runway. The figures in the film appear real, played by humans who may actually be underwater. But another glance reveals the uncanniness in their blank eyes, distended limbs, mushy features.

In late March, a well-funded artificial intelligence startup hosted what it said was the first ever AI film festival at the Alamo Drafthouse theater in San Francisco. The startup, called Runway, is best known for cocreating Stable Diffusion, the standout text-to-image AI tool that captured imaginations in 2022. Then, in February of this year, Runway released a tool that could change the entire style of an existing video with just a simple prompt. Runway told budding filmmakers to have at it and later selected 10 short films to showcase at the fest. The short films were mostly demonstrations of technology; well-constructed narratives took a backseat.

People in Texas sounded off on AI job displacement, with half of people who spoke to Fox News convinced that the tech will rob them of work. With new developments in generative artificial intelligence bringing the technology to the forefront of public conversation, concerns about how it will affect jobs in the entertainment industry have risen, even contributing in a writer strike in Hollywood. But, founders of Web3 animation studio Toonstar have been using artificial intelligence in their studio for years, and told Fox News Digital it serves as an aid in the creative process. AI can "unlock creativity" and give animators a "head start" in terms of creativity, Luisa Huang, COO and co-founder of Toonstar told Fox News Digital. "But I have yet to see AI be able to put output anything … that is ready for production," she added.

Doctors believe Artificial Intelligence is now saving lives, after a major advancement in breast cancer screenings. A.I. is detecting early signs of the disease, in some cases years before doctors would find the cancer on a traditional scan. No matter what industry you work in, it is more than likely that artificial intelligence is going to impact your job in some capacity. That being said, it is going to affect some industries more than others. Predicting what jobs will look like 20 years from now or even ten for that matter is tricky. There are jobs that exist now that we couldn't have imagined ten years ago.

Justine Bateman told Fox News Digital using artificial intelligence to write a script is not solving any problems because there is no lack of talent in the industry. Not just anyone or anything can make it in Hollywood, according to Justine Bateman. The former "Family Ties" actress and accredited director is adamant artificial intelligence should not have its shot. "I think AI has no place in Hollywood at all. To me, tech should solve problems that humans have," Batemen told Fox News Digital.

In the indie thriller 12 Feet Deep, a pair of sisters find themselves trapped in a pool under a heavy fiberglass cover. They scream; they pound; they negotiate with a janitor who robs them instead of freeing them. I learned all of this from TikTok, where for months I've watched clips of this seemingly random, small-budget film ricochet across the platform. Six years after it was released to little fanfare (its Rotten Tomatoes page doesn't mention a single review from a professional critic), 12 Feet Deep is finding its audience one clip at a time. A two-minute part posted to TikTok in January got more than 90 million views.

It's been a while since we had a truly great movie about devious, dystopian AIs priming themselves to take over the world, in which the key choices made by mere humans will decide whether we end up as just an organic footnote in histories written by our machine conquerors. Alex Garland's Ex-Machina (2014) springs to mind, while 2015's Avengers: Age of Ultron was a fun comic book romp, if lacking the spiky gravitas and sly intellectual thrust of Garland's debut. Now there's Gareth Edwards' The Creator, the first trailer for which debuted this week, arriving just as very real concerns about the ability of artificial intelligence to really muck things up for us humans are rearing their terrifying digital heads. At first glance, it looks as if Edwards has thrown in all our favourite sci-fi tropes. The basic scenario – tooled up military man fails in mission to wipe out robot child because she is just too cute – reminds us of kind-hearted Din Djarin's inability to bounty hunt Grogu in early episodes of The Mandalorian.

These are but a few artificial intelligence systems that have gone rogue in films. Whether The Creator can produce a fictional AI that would make a mark on popular culture remains to be seen, but it is another movie that pits humanity against artificial intelligence. Its official website says the movie is about Joshua, an ex-special forces agent recruited to hunt down the Creator. That's the architect behind the advanced AI that was developed to protect humanity only to detonate a nuclear warhead in Los Angeles. The Creator apparently also developed a weapon with the power to end all war and all of humanity, and Joshua and his team were tasked to destroy it.

Tom Hanks and wife Rita Wilson walked the Pre-Grammy GALA red carpet and discussed what they believe is the success to a great relationship after being married for 34 years. Hollywood heavy-hitter Tom Hanks is weighing in on the use of artificial intelligence in films, especially as he grows older and his name and likeness are still coveted. The "A Man Called Otto" actor gave his opinion on AI – noting that its use in the industry is nothing new and has rather "always been" lingering. "The first time we did a movie that had a huge amount of our own data locked in a computer, literally what we looked like, was a movie called'The Polar Express,'" Hanks said on "The Adam Buxton Podcast" about his 2004 animated film. "And we saw this coming. We saw that there was going to be this ability to take 0s and 1s inside a computer and turn it into a face and a character. Now, that is only grown a billion-fold since then, and we see it everywhere. And I can tell you that there is discussions going on in all of the guilds, all of the agencies and all of legal firms in order to come up with the legal ramifications of my face and my voice – and everybody else's – being our intellectual property," he added.