Neuromorphic, evolutionary, or fuzzylike systems have been developed by many research groups in the Spanish computer sciences. It is no surprise, then, that these naturegrounded efforts start to emerge, enriching the AI catalogue of research projects and publications and, eventually, leading to new directions of basic or applied research. In this article, we review the contribution of Melomics in computational creativity. In Spain there are 74 universities, many of which have computer science departments that host AIrelated research groups. AEPIA, the Spanish society for AI research, was founded in 1983 and has been vigorously promoting the advancement of AI since then. Along with several other societies and communities of interest, it promotes various periodic conferences and workshops. The Artificial Intelligence Research Institute (IIIA) of the Spanish National Research Council constitutes one of the flagships of local AI research. Ramón López de Mántaras, IIIA's renowned director, was one of the pioneers of AI in Spain, and he also was the recipient of the prestigious AAAI Englemore Award in 2011. Other researchers that have reached an outstanding position, and lead important research groups in Spain, include Antonio Bahamonde (University of Oviedo), Federico Barber (Polytechnic University of Madrid), Vicent Botti (Polytechnic University of Valencia), and Amparo Vila (University of Granada). This department, with more than one hundred faculty members, is organized in several research groups, three of which maintain active AI research lines. Melomics is a new approach in artificial creativity (for a perspective on this discipline, see the 2009 fall issue of AI Magazine). More specifically, it focuses on algorithmic composition and aims at the full automation of the composition process of professional music.
Algorithmic composition is the partial or total automation of the process of music composition by using computers. Since the 1950s, different computational techniques related to Artificial Intelligence have been used for algorithmic composition, including grammatical representations, probabilistic methods, neural networks, symbolic rule-based systems, constraint programming and evolutionary algorithms. This survey aims to be a comprehensive account of research on algorithmic composition, presenting a thorough view of the field for researchers in Artificial Intelligence.
Research in artificial intelligence (AI) is known to have impacted medical diagnosis, stock trading, robot control, and several other fields. Perhaps less popular is the contribution of AI in the field of music. Nevertheless, artificial intelligence and music (AIM) has, for a long time, been a common subject in several conferences and workshops, including the International Computer Music Conference, the Computing Society Conference and the International Joint Conference on Artificial Intelligence. In fact, the first International Computer Music Conference was the ICMC 1974, Michigan State University, East Lansing, USA Current research includes the application of AI in music composition, performance, theory and digital sound processing. Several music software applications have been developed that use AI to produce music.
The application of Evolutionary Computation (EC) techniques for the development of creative systems is a new, exciting and significant area of research. There is a growing interest in the application of these techniques in fields such as: art and music generation, analysis and interpretation; architecture; and design. EvoMUSART 2006 is the third workshop of the EvoNet working group on Evolutionary Music and Art. Following the success of previous events, the main goal of EvoMUSART 2006 is to bring together researchers who are using Evolutionary Computation in this context, providing the opportunity to promote, present and discuss ongoing work in the area. The workshop will include an open panel for the discussion of the most relevant questions of the field.